Under the brilliant and rigorous direction of Oliver Butler, the Debate Society certainly doesn’t disappoint in this bizarre but deeply winning homage to the drive-in cinema of yore.
A decaying drive-in comes to life with stories of lighthouses, naughty little girls and places you imagine remembering. So sit back, relax, refrain from loud talking and rough-housing, turn off your headlights, enjoy some tasty popcorn, put litter in its place, keep an eye on your children, think about how happy we could be, and remember that this country is full of dark, dark places along dark, dark roadways where dark, dark things can happen.
The Debate Society’s fourth full-length play transforms the performance space into their own version of a drive-in theater to present an intimate and absurd perspective of classic Americana. The Brooklyn based play-makers conjure a road trip epic wherein “The lives, desires, and memories of various passengers take a number of sharp and darkly comic turns over the course of one night, dissolving into three studies of bittersweet disenchantment.” (The New Yorker)
Joining co-writers Hannah Bos and Paul Thureen onstage is actor Michael Cyril Creighton and acclaimed NY actress, Drama Desk and two-time Obie Award winner and Emmy nominee Pamela Payton-Wright . . . who is also the mother of Cape Disappointment director Oliver Butler.
Cape Disappointment was commissioned by Performance Space 122 and premiered there in November, 2008.